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NEW MUSIC
Why do people embrace the experimental visual art of
Mark Rothko but avoid the experimental music of Karlheinz Stockhausen?
That's the question that David Stubbs explores in his book, "Fear
of Music." We'll meet Stubbs in this hour of To the Best of Our
Knowledge. Also, Wesley Stace talks about his new novel which focuses
on the relationship between a music critic and a young composer.
SEGMENT 1:
This hour, why people embrace avant-garde art, but
resist avant-garde music. Wesley Stace has a new novel, "Charles
Jessold, Considered as a Murderer." Stace, known also as the singer-songwriter
John Wesley Harding, tells Anne Strainchamps this is his first
novel specifically about music. There is a link to "Charles Jessold's"
music at ttbook.org. David Stubbs argues that new music doesn't
get the same respect as new art. His book is "Fear of Music: Why
People Get Rothko But Don't Get Stockhausen." He tells Jim Fleming
he was inspired to write it after watching the 1961 film "The Rebel"
for the twelfth time.
SEGMENT 2:
John Cage wrote some of the most controversial
music of the 20th Century. The brilliant composer was extraordinarily
creative. Kenneth Silverman explores Cage's life in a groundbreaking
biography called "Begin Again." He tells Steve Paulson that
a lot of Cage's creativity came from his inventor father.
SEGMENT 3:
At the age of 28, Chinese pianist Lang Lang
has already played with the Vienna Philharmonic, the Berlin Philharmonic
and all of the top American orchestras. He's written an autobiography,
"Journey of a Thousand Miles," and his latest album, "Live
in Vienna," features his first recordings of Beethoven's Sonatas.
He tells Steve Paulson all about it.
CD copies are available at 1-800-747-7444.
Ask for program number 11-02-20-A.
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Books &
CDs:
Websites:
Clips:
Music:
- -- Music heard at beginning
of show, immediately following TTBOOK Theme:
-- "First Construction in Metal" (1939)/David Tudor
from the three-CD set, "The 25-Year Retrospective Concert of the
Music of John Cage" (Wergo)
- -- Music heard at end of/after Wesley Stace interview:
-- Arnold Schoenberg's "String Quartet no. 2, op. 10"/Lasalle
Quartet
from the four-CD set, "New Viennese School: Schoenberg, Berg, Webern"
(Deutsche Grammophon)
- -- Music heard during David Stubbs interview:
-- Edgard Varese's "Ameriques"/Cleveland Orchestra Christoph
von Dohnanyi, conductor
from the CD, "Varese: 'Ameriques', Ives: 'Symphony No. 4,' 'The
Unanswered Question'" (London)
-- "Kontakte"/Karlheinz Stockhausen
from the three-CD set, "OHM: The Early Gurus of Electronic Music:
1948-1980" (Ellipsis Arts...)
- -- Music heard after David Stubbs interview:
"The Toy Trumpet"/Raymond Scott
from the two-CD set, "Manhattan Research Inc." (Basta Music)
http://raymondscott.com/mripr.html
- -- Music heard during Kenneth Silverman/John Cage
interview:
-- "Sonata 1"/Herbert Henck
from the CD, "John Cage: Sonatas and Interludes" (ECM Records)
-- "Roaratorio (Ein Irischer Circus uber 'Finnegans Wake')"/John
Cage
from the four-CD set, "Wergo: 40 Years: Special Edition" (Wergo)
-- "Williams Mix"/John Cage
from the three-CD set, "OHM: The Early Gurus of Electronic Music:
1948-1980" (Ellipsis Arts...)
-- "4'33" (3 parts: 30"/2'23"/1'40")/John Cage
from the CD, "Nova Musicha No. 1" (Cramps Records)
- -- Music heard after Kenneth Silverman/John Cage interview:
-- "Concert for Piano and Orchestra"/Merce Cunningham
from the three-CD set, "The 25-Year Retrospective Concert of the
Music of John Cage" (Wergo)
- -- Music heard during and after Lang Lang interview:
-- Beethoven's "Piano Sonata No. 23, Op. 57 'Appassionata'"/Lang
Lang
from the CD, "Live in Vienna" (Sony Classical)
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Questions and comments can be
addressed to: ttbook@wpr.org
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