Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed drums of different sizes. In Spanish the larger drum is called the hembra (female ) and the smaller the macho (male). They are membranophones, or instruments that create sound by a vibration of a stretched membrane. Most sources on Afro-Cuban cultural history argue that the bongo derives from Central African (Congo/Bantu) drum models, noticeable in the open bottoms.
Additionally, a Santería influence from Yoruba culture in the symbolic “twin” drum is assumed. The strong historical presence of Africans from the Congo/Angola region in Eastern Cuba (where the bongo first appeared) makes such an influence probable.
Moreover, Central African/Congo influences are also documented in the Cuban son music genre, including changüí, and initially the development of the bongo drum went parallel with these genres.
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From such conceptual African drum models, the bongo drum developed further in Cuba itself, and some historians state that the attaching of the two drums was a later invention that took place in Cuba.
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